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Wings of Splendor: The Works of John Costin

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Wings of Splendor

The Works of John Costin

June 6 - September 22, 2024

Tampa-area artist John Costin creates exquisitely detailed bird portraits. He uses an age-old process of multi-plate etching and then meticulously colors each print by hand, so no two are alike. Please join us to witness the splendor of his etched feathers and learn about his fascinating process.


Artist Statement

"I have always been fascinated by birds; their beauty and ability to fly. My interest in art began at a very young age; using crayons on the walls in my grandmother's house. She probably was not too happy about that. I studied art history and printmaking in college. Though I started working as an electrician in my early twenties, I knew it was temporary. I wanted to be an artist. I am a printmaker. The process is challenging and I like that. 1-5 copper plates are individually hand wiped with various colors of ink to create an image on paper. Then each piece is meticulously hand colored. The plates take months to create and many weeks of proofing are done before an acceptable piece is created. It is a combination of drawing, sculpture and painting. It is the oldest printing process in the world; Rembrandt, Goya and other fine artists were printmakers. No computers or photography are ever used; each piece is handmade and hand painted and though the editions may range from 1-250, no two pieces are the same. I consider my work bird portraits. Most of my subjects are depicted life size. I go out in the field and take hundreds of photos of whatever bird I want to work on. The photos are taken back to my studio for me to study them and are then put away. I then draw from memory, creating the backgrounds and posing the subject. I never use photographs while drawing because I do not want my subjects to look photographic. That is extremely important to me." — John Costin

LEFT IMAGE: Roseate Spoonbill in Flight, single plate hand-painted etching by John Costin | RIGHT IMAGE: John Costin at work on his press using one of the copper platest to create the image of the "Black Crowned Night Heron." This etching takes five plates to create the subject on paper. It is then meticulously hand colored.

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